{"id":7625,"date":"2025-02-04T11:04:43","date_gmt":"2025-02-04T10:04:43","guid":{"rendered":"https:\/\/umoove.art\/?p=7625"},"modified":"2025-02-04T11:09:02","modified_gmt":"2025-02-04T10:09:02","slug":"corpos-la-mangrove","status":"publish","type":"post","link":"https:\/\/umoove.art\/index.php\/2025\/02\/04\/corpos-la-mangrove\/","title":{"rendered":"CORPOS &#8211; La Mangrove"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"7625\" class=\"elementor elementor-7625\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-363ccdf elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"363ccdf\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-55402f0\" data-id=\"55402f0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-38d60b1 elementor-widget elementor-widget-image\" data-id=\"38d60b1\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.14.0 - 26-06-2023 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"819\" src=\"https:\/\/umoove.art\/wp-content\/uploads\/2025\/02\/D.A.N.S.E.R-13-1024x819.jpg\" class=\"attachment-large size-large wp-image-7627\" alt=\"\" srcset=\"https:\/\/umoove.art\/wp-content\/uploads\/2025\/02\/D.A.N.S.E.R-13-1024x819.jpg 1024w, https:\/\/umoove.art\/wp-content\/uploads\/2025\/02\/D.A.N.S.E.R-13-300x240.jpg 300w, https:\/\/umoove.art\/wp-content\/uploads\/2025\/02\/D.A.N.S.E.R-13-768x614.jpg 768w, https:\/\/umoove.art\/wp-content\/uploads\/2025\/02\/D.A.N.S.E.R-13-1536x1229.jpg 1536w, https:\/\/umoove.art\/wp-content\/uploads\/2025\/02\/D.A.N.S.E.R-13.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3c13ce9 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3c13ce9\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-057d9db\" data-id=\"057d9db\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8e8bd7a elementor-widget elementor-widget-heading\" data-id=\"8e8bd7a\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.14.0 - 26-06-2023 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h1 class=\"elementor-heading-title elementor-size-default\">Des ils pluriels<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9befb44 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9befb44\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-357c5a4\" data-id=\"357c5a4\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e1ece2d elementor-widget elementor-widget-text-editor\" data-id=\"e1ece2d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.14.0 - 26-06-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<h3><em>CORPOS<\/em>, fruit de la collaboration entre les chor\u00e9graphes Hubert Petit-Phar (Guadeloupe) et Augusto Soledade (Br\u00e9sil) est une exploration sensorielle et politique du corps noir masculin. A l\u2019heure de l\u2019ann\u00e9e France-Br\u00e9sil 2025, la cr\u00e9ation questionne les stigmates, les fantasmes et les clich\u00e9s qui enveloppent ce corps tout en ouvrant un dialogue profond sur l\u2019alt\u00e9rit\u00e9, la repr\u00e9sentation et l\u2019identit\u00e9.<\/h3>\n<p>D\u00e8s l\u2019ouverture, la p\u00e9nombre du plateau laisse entrevoir trois hommes qui explorent leur propre peau dans des gestes d\u2019ondulation et de caresses subtiles, effleurant les zones les plus tendres de leur corps. L\u2019intimit\u00e9 des contacts contrarie l\u2019attente d\u2019une danse virile et ouvre la voie \u00e0 une r\u00e9flexion sur les injonctions impos\u00e9es aux corps noirs masculins. Ce ballet d\u2019explorations sensorielles se transforme ensuite en un jeu de poids et de contrepoids entre danseurs, o\u00f9 la confiance s\u2019impose comme une n\u00e9cessit\u00e9.<\/p>\n<p>L\u2019ambiance sonore, sign\u00e9e <b>Anthony Rouchier<\/b>, oscille entre un vrombissement industriel lointain et une musique classique \u00e9touff\u00e9e, comme \u00e9chapp\u00e9e d&rsquo;un r\u00eave. Ce contraste sonore accompagne une gestuelle tout aussi ambivalente : des pas afro surgissent avec force, ancr\u00e9s dans le sol, avant de laisser place \u00e0 des mouvements plus a\u00e9riens et mani\u00e9r\u00e9s, parfois presque baroques. Le spectacle semble jongler en permanence entre l\u2019affirmation et l\u2019effacement, la puissance et la fragilit\u00e9, la masculinit\u00e9 attendue et sa red\u00e9finition.<\/p>\n<p>Un des moments les plus troublants survient avec l\u2019ex\u00e9cution fugace d\u2019un zouk coll\u00e9-serr\u00e9 entre deux danseurs. Fugace, sensuel et subversif, ce passage questionne la perception du corps noir dans des cultures o\u00f9 l\u2019homophobie reste pr\u00e9gnante. Il se d\u00e9gage de cette danse une libert\u00e9 sinc\u00e8re, une c\u00e9l\u00e9bration de l\u2019\u00eatre, d\u00e9barrass\u00e9e des connotations impos\u00e9es par la soci\u00e9t\u00e9.<br>Si le spectacle excelle dans son langage corporel et sa puissance gestuelle, h\u00e9ritage d\u2019un vocabulaire modern jazz parfaitement ma\u00eetris\u00e9 notamment par <b>Hubert Petit-Phar<\/b>, l\u2019introduction de la parole, bien que porteuse de sens, semble parfois superflue. La d\u00e9clamation de \u00ab\u00a0un chemin, trouver un chemin\u00a0\u00bb suivie de bribes de portugais ajoute une dimension narrative, mais rompt quelque peu avec l\u2019\u00e9loquence du mouvement, d\u00e9j\u00e0 largement suffisant pour transmettre les questionnements pos\u00e9s.<\/p>\n<p>L\u2019\u00e9nergie du spectacle atteint son paroxysme avec la s\u00e9quence des jupes longues bleu nuit et argent\u00e9, assorties de bretelles de salopette. Ici, les corps semblent enfin se lib\u00e9rer, bondissant dans une joie communicative, presque rituelle. Mais cette euphorie est rapidement contrebalanc\u00e9e par la brutalit\u00e9 d\u2019une sc\u00e8ne o\u00f9 un danseur est tra\u00een\u00e9 par les cheveux, avant de transformer cet assujettissement en une performance magistrale o\u00f9 il use de sa chevelure comme d\u2019un fouet, d\u00e9fiant ainsi son propre statut de victime.<\/p>\n<p>Dans un dernier \u00e9lan, le spectacle se conclut sur une spirale incessante, un tourbillon de mouvements et de cris en cr\u00e9ole et en portugais. Cette derni\u00e8re explosion d\u2019\u00e9nergie r\u00e9sume parfaitement la d\u00e9marche de CORPOS : une danse qui oscille entre l\u2019oppression et la lib\u00e9ration, entre l\u2019assignation et l\u2019affirmation de soi. Un spectacle puissant, visc\u00e9ral et n\u00e9cessaire.<\/p>\n<p><strong>C\u00e9dric Chaory<\/strong><\/p>\n<p><strong><em>\u00a9<\/em>David Pochal<\/strong><\/p>\n<p><em>Vu au Th\u00e9\u00e2tre du Fil de l\u2019eau, Pantin (janvier 2025)<\/em><\/p>\n<p><strong>Tourn\u00e9e<\/strong> : Du 26\/03\/25 au 28\/03\/25:&nbsp;<a href=\"https:\/\/tropiques-atrium.fr\/scene-nationale\/\" target=\"_blank\">Tropiques ATRIUM Sc\u00e8ne nationale<\/a>, Fort de France \u2013 MAR ; 01\/04\/25 : Correspon\u2019Danse \u2013 GP ; 03\/04\/25 :&nbsp;<a href=\"https:\/\/tropiques-atrium.fr\/scene-nationale\/\" target=\"_blank\">Macte<\/a>, Pointe-\u00e0-Pitre \u2013 GP04\/04\/25 Festival Nou Se Yonn, Basse Terre \u2013 GP ; Du 05\/06\/25 au 08\/06\/25: Th\u00e9\u00e2tre Macouria, sc\u00e8ne conventionn\u00e9e d\u2019int\u00e9r\u00eat national, Macouria \u2013 GUY ; Octobre-Novembre 2025: Tourn\u00e9e dans le Nordeste Br\u00e9sil (Fortaleza, Recife, Salvador, Itacal\u00e9, Belem, Sao-Paulo \u2026)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Des ils pluriels CORPOS, fruit de la collaboration entre les chor\u00e9graphes Hubert Petit-Phar (Guadeloupe) et Augusto Soledade (Br\u00e9sil) est une exploration sensorielle et politique du corps noir masculin. A l\u2019heure de l\u2019ann\u00e9e France-Br\u00e9sil 2025, la cr\u00e9ation questionne les stigmates, les fantasmes et les clich\u00e9s qui enveloppent ce corps tout en ouvrant un dialogue profond sur &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/umoove.art\/index.php\/2025\/02\/04\/corpos-la-mangrove\/\"> <span class=\"screen-reader-text\">CORPOS &#8211; La Mangrove<\/span> Lire la suite\u00a0\u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","footnotes":""},"categories":[8],"tags":[117,119,120,118,116],"class_list":["post-7625","post","type-post","status-publish","format-standard","hentry","category-critique-critique","tag-auguste-soledad","tag-bresil","tag-corps-noir","tag-guadeloupe","tag-hubert-petit-phar"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"Des ils pluriels CORPOS, fruit de la collaboration entre les chor\u00e9graphes Hubert Petit-Phar (Guadeloupe) et Augusto Soledade (Br\u00e9sil) est une exploration sensorielle et politique du corps noir masculin. A l\u2019heure de l\u2019ann\u00e9e France-Br\u00e9sil 2025, la cr\u00e9ation questionne les stigmates, les fantasmes et les clich\u00e9s qui enveloppent ce corps tout en ouvrant un dialogue profond sur\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"La r\u00e9daction\"\/>\n\t<meta name=\"google-site-verification\" content=\"M3HxnUDlunxFkT-zREaE_yui8cvPg_uQ9ep5Az7MAQ8\" \/>\n\t<link rel=\"canonical\" href=\"https:\/\/umoove.art\/index.php\/2025\/02\/04\/corpos-la-mangrove\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.9\" \/>\n\t\t<meta property=\"og:locale\" content=\"fr_FR\" \/>\n\t\t<meta property=\"og:site_name\" content=\"- Umoove, le site de l&#039;actu-danse : interview, critique, reportage, annonce, agenda ...\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"CORPOS \u2013 La Mangrove -\" \/>\n\t\t<meta property=\"og:description\" content=\"Des ils pluriels CORPOS, fruit de la collaboration entre les chor\u00e9graphes Hubert Petit-Phar (Guadeloupe) et Augusto Soledade (Br\u00e9sil) est une exploration sensorielle et politique du corps noir masculin. 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