{"id":2228,"date":"2022-12-12T10:54:34","date_gmt":"2022-12-12T09:54:34","guid":{"rendered":"http:\/\/umoove.art\/?p=2228"},"modified":"2022-12-12T10:59:10","modified_gmt":"2022-12-12T09:59:10","slug":"sacre-197-dominique-brun","status":"publish","type":"post","link":"https:\/\/umoove.art\/index.php\/2022\/12\/12\/sacre-197-dominique-brun\/","title":{"rendered":"Sacre #197 &#8211; Dominique Brun"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"2228\" class=\"elementor elementor-2228\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8cbcbd2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8cbcbd2\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0ffbe1d\" data-id=\"0ffbe1d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-06e578c elementor-widget elementor-widget-image\" data-id=\"06e578c\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.14.0 - 26-06-2023 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"614\" src=\"https:\/\/umoove.art\/wp-content\/uploads\/2022\/12\/Sacre-768x614.png\" class=\"attachment-medium_large size-medium_large wp-image-2123\" alt=\"\" srcset=\"https:\/\/umoove.art\/wp-content\/uploads\/2022\/12\/Sacre-768x614.png 768w, https:\/\/umoove.art\/wp-content\/uploads\/2022\/12\/Sacre-300x240.png 300w, https:\/\/umoove.art\/wp-content\/uploads\/2022\/12\/Sacre-1024x819.png 1024w, https:\/\/umoove.art\/wp-content\/uploads\/2022\/12\/Sacre-1536x1229.png 1536w, https:\/\/umoove.art\/wp-content\/uploads\/2022\/12\/Sacre.png 2000w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c617496 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c617496\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-d4094c9\" data-id=\"d4094c9\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-326e561 elementor-widget elementor-widget-heading\" data-id=\"326e561\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.14.0 - 26-06-2023 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h2 class=\"elementor-heading-title elementor-size-default\">Red\u00e9couvrir ce sacrifice de l\u2019\u00e9lue<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-de33856 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"de33856\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f96a702\" data-id=\"f96a702\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c5c542e elementor-widget elementor-widget-text-editor\" data-id=\"c5c542e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.14.0 - 26-06-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><strong>La pi\u00e8ce<em> Sacre #197<\/em>, a pour origine une s\u00e9rie de dessins de Valentine Gross-Hugo datant de l\u2019\u00e9poque de cr\u00e9ation du <em>Sacre<\/em> (1913) et une \u00e9criture li\u00e9e \u00e0 la reconstitution historique du film <em>Coco Chanel et Igor Stravinsky<\/em> de Jan Kounen.<\/strong><\/p><p><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">Sept interpr\u00e8tes dont une \u00e9lue, la tr\u00e8s juste Julie Salgues, s\u2019emparent d\u2019une gestuelle toute particuli\u00e8re. Une gestuelle \u00e9manant de ces dessins, rares traces iconographiques de la chor\u00e9graphie de\u00a0Nijinski, mais aussi de l\u2019inspiration propre \u00e0 chacun des danseurs autour des th\u00e8mes reli\u00e9s \u00e0 cette \u0153uvre, qui n\u2019a de cesse d\u2019\u00eatre recr\u00e9\u00e9e.\u00a0<\/span><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">Ils sont en effet \u00e0 l\u2019origine de partition individuelle, sorte de solo o\u00f9 sont incorpor\u00e9s les lignes et figures de la chor\u00e9graphie originelle. Ces individualit\u00e9s laissent appara\u00eetre des couleurs toutes en nuances. Sylvain Prunenec donne naissance \u00e0 une sorte d\u2019albatros, non pas emp\u00each\u00e9 par ses ailes de g\u00e9ants, mais plut\u00f4t par ses jambes qui le ramenant sans cesse \u00e0 la terre. Ancrage in\u00e9luctable.\u00a0<\/span><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">Plus tard, c\u2019est au tour de Fran\u00e7ois Chaignaud de tenter l\u2019\u00e9l\u00e9vation. Chauss\u00e9 de pointes, il frappe le sol, sur un pied, jouant les changements de rythme, tout en gardant buste et bras l\u00e9gers et majestueux. Il semble fuir et pourtant le mart\u00e8lement de ses pas ne fait que nous rappeler la permanence de l\u2019homme et de ses racines.\u00a0<\/span><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">Les lumi\u00e8res de Sylvie Garot participent de cette stabilit\u00e9 au monde. La mise en lumi\u00e8re des corps des danseurs cr\u00e9e une intense dramaturgie, comme autant d\u2019histoires se vivant simultan\u00e9ment. Une trouble apparition est l\u2019occasion d\u2019une acuit\u00e9 plus grande. Un \u00e9clat de lumi\u00e8re d\u00e9taille un peu plus une individualit\u00e9, un groupe faisant corps.<\/span><\/p><p>Pour ce <em>Sacre #197<\/em>, Dominique Brun a fait appel au compositeur Juan Pablo Carreno. Inspir\u00e9 de l\u2019\u0153uvre d\u2019Igor Stravinsky, il s\u2019en \u00e9loigne largement pour cr\u00e9er une \u00e9criture musicale aux sonorit\u00e9s industrielles, faite de saturations, de neige, de fr\u00e9quences stridentes. Cette composition assez agressive, parfois \u00e0 la limite de l\u2019audible, est m\u00eal\u00e9e \u00e0 la voix sur le plateau de la chanteuse et danseuse Marine Beelen. Occasion alors de faire se c\u00f4toyer la puissance et la surench\u00e8re, avec la l\u00e9g\u00e8ret\u00e9 et l\u2019ancrage tellurique propre \u00e0 la gestuelle de Nijinski.<\/p><h2><strong><em>Sacre #2<\/em>, Dominique Brun<\/strong><\/h2><p><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">Dominique Brun convoque pour <\/span><em style=\"font-weight: inherit; background-color: var(--ast-global-color-5);\">Sacre #2<\/em><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">, recr\u00e9ation in-extenso de la chor\u00e9graphie du <\/span><em style=\"font-weight: inherit; background-color: var(--ast-global-color-5);\">Sacre du Printemps<\/em><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\"> de Vaslav Nijinski sur la musique d\u2019Igor Stravinsky, trente interpr\u00e8tes, hommes et femmes. Les pieds en dedans, les poignets cass\u00e9s, les doigts serr\u00e9s, les t\u00eates pench\u00e9es, sauts pli\u00e9s r\u00e9p\u00e9t\u00e9s, frappes au sol, les danseurs mart\u00e8lent, donnent corps \u00e0 la musique du compositeur russe sans jamais se faire aspirer par cette derni\u00e8re. Risque si il en est un, lorsqu\u2019on se confronte \u00e0 ce genre de partition et d\u2019\u0153uvre magistrale. <\/span><em style=\"font-weight: inherit; background-color: var(--ast-global-color-5);\">Sacre #2<\/em><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">, est un travail de longue haleine men\u00e9 par Dominique Brun et deux historiens Juan Ignacio Vallejos et Sophie Jacotot. C\u2019est donc tous les trois qu\u2019ils ont tent\u00e9 non pas de combler un vide et des archives faisant d\u00e9faut, mais plut\u00f4t de cr\u00e9er \u00e0 partir d\u2019interpr\u00e9tations, d\u2019analyses, une gestuelle sacr\u00e9e.<\/span><\/p><p><em>Sacre #2<\/em>, succ\u00e9dant au <em>Sacre #197<\/em>, donne de la voix, o\u00f9 plut\u00f4t des voix, non pas seulement par le nombre d\u2019interpr\u00e8tes battant la terre, mais par cette gestuelle si particuli\u00e8re d\u00e9cri\u00e9e \u00e0 l\u2019\u00e9poque. La pi\u00e8ce remettant en cause les codes de la danse classique des ballets de l\u2019\u00e9poque, fut tr\u00e8s mal re\u00e7ue et jou\u00e9e seulement huit fois, d\u2019o\u00f9 l\u2019absence d\u2019archives. Si la puissance de cette \u0153uvre est en partie due \u00e0 la composition musicale qui l\u2019accompagne, la chor\u00e9graphie de Nijinski n\u2019est pas en reste\u00a0: des rondes battant le sol, des sauts insatiables, se confondent avec des mains qui tranchent ou se r\u00e9tractent, des dos courb\u00e9s, des t\u00eates d\u00e9sax\u00e9es\u2026 autant de mouvements uniques qui ont cr\u00e9\u00e9 une rupture et ont laiss\u00e9 place \u00e0 de nouvelles fa\u00e7ons d\u2019envisager la danse et de danser tout simplement.<\/p><p>Avec ces <em>Sacre #197<\/em> et <em>Sacre #2<\/em>, Dominique Brun cr\u00e9e des versions de l\u2019\u0153uvre de Nijinski tout \u00e0 fait originales, o\u00f9 archives et mouvements contemporains s\u2019entrem\u00ealent sans jamais s\u2019annihiler. Il serait dommage de s\u2019en priver.<\/p><p><strong>Fanny Brancourt,<\/strong> Centre Pompidou Paris (Mai 2015)<\/p><p>\u00a9<strong>Marc Domage<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Red\u00e9couvrir ce sacrifice de l\u2019\u00e9lue La pi\u00e8ce Sacre #197, a pour origine une s\u00e9rie de dessins de Valentine Gross-Hugo datant de l\u2019\u00e9poque de cr\u00e9ation du Sacre (1913) et une \u00e9criture li\u00e9e \u00e0 la reconstitution historique du film Coco Chanel et Igor Stravinsky de Jan Kounen. Sept interpr\u00e8tes dont une \u00e9lue, la tr\u00e8s juste Julie Salgues, &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/umoove.art\/index.php\/2022\/12\/12\/sacre-197-dominique-brun\/\"> <span class=\"screen-reader-text\">Sacre #197 &#8211; Dominique Brun<\/span> Lire la 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