{"id":1704,"date":"2022-12-08T09:19:12","date_gmt":"2022-12-08T08:19:12","guid":{"rendered":"http:\/\/umoove.art\/?p=1704"},"modified":"2022-12-08T09:22:21","modified_gmt":"2022-12-08T08:22:21","slug":"sacre-david-wampach","status":"publish","type":"post","link":"https:\/\/umoove.art\/index.php\/2022\/12\/08\/sacre-david-wampach\/","title":{"rendered":"Sacre &#8211; David Wampach"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1704\" class=\"elementor elementor-1704\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-fbfedd9 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"fbfedd9\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-647e38e\" data-id=\"647e38e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-cbc4068 elementor-widget elementor-widget-image\" data-id=\"cbc4068\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.14.0 - 26-06-2023 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"614\" src=\"https:\/\/umoove.art\/wp-content\/uploads\/2022\/12\/Songook-Yaakaar-Germaine-Acogny-13-1-768x614.png\" class=\"attachment-medium_large size-medium_large wp-image-1657\" alt=\"\" srcset=\"https:\/\/umoove.art\/wp-content\/uploads\/2022\/12\/Songook-Yaakaar-Germaine-Acogny-13-1-768x614.png 768w, https:\/\/umoove.art\/wp-content\/uploads\/2022\/12\/Songook-Yaakaar-Germaine-Acogny-13-1-300x240.png 300w, https:\/\/umoove.art\/wp-content\/uploads\/2022\/12\/Songook-Yaakaar-Germaine-Acogny-13-1-1024x819.png 1024w, https:\/\/umoove.art\/wp-content\/uploads\/2022\/12\/Songook-Yaakaar-Germaine-Acogny-13-1-1536x1229.png 1536w, https:\/\/umoove.art\/wp-content\/uploads\/2022\/12\/Songook-Yaakaar-Germaine-Acogny-13-1.png 2000w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-bd84d94 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"bd84d94\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f62446a\" data-id=\"f62446a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a4a0607 elementor-widget elementor-widget-heading\" data-id=\"a4a0607\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.14.0 - 26-06-2023 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h2 class=\"elementor-heading-title elementor-size-default\">Rituel haletant<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2bbe080 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2bbe080\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-d10144b\" data-id=\"d10144b\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ef8191c elementor-widget elementor-widget-text-editor\" data-id=\"ef8191c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.14.0 - 26-06-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><strong>Cr\u00e9\u00e9e en 2011, <em>Sacre<\/em> est une version tr\u00e8s personnelle du <em>Sacre du Printemps<\/em> d\u2019Igor Stravinsky. L\u00e0 o\u00f9, de nombreux chor\u00e9graphes comme Sasha Waltz, Pina Pausch, Maurice B\u00e9jart, Heddy Maalem\u2026 relisaient cette pi\u00e8ce ma\u00eetresse tout en proposant une distribution cons\u00e9quente, David Wampach s\u2019attache lui au couple originel. Il semblerait pour ce dernier, qu\u2019un homme et une femme suffisent \u00e0 dire le monde ritualis\u00e9, sacrifi\u00e9, exalt\u00e9\u2026 en extase totale. Ce choix du duo permet \u00e0 David Wampach de se pencher plus profond\u00e9ment sur l\u2019intime, sur le corps \u00e9motionnel et sur sa capacit\u00e9 \u00e0 exulter ou non ses \u00e9motions.<\/strong><\/p><p><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">La sc\u00e9nographie, trois pans de murs gris, tout comme les costumes, sortes de justaucorps-cagoules gris eux aussi et laissant deviner la peau des interpr\u00e8tes (mati\u00e8re extr\u00eamement subtile dont le chor\u00e9graphe aime \u00e0 habiller ses danseurs), participent \u00e0 ce d\u00e9sir de laisser les corps libres d\u2019\u00e9prouver les sentiments qui les traversent de leur donner sens, espace, son.\u00a0<\/span><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">C\u2019est sur la pointe des pieds que la formidable Tamar Shelef, une fid\u00e8le complice de David Wampach, entre sur le plateau. Les bras tendus, les mains en extension, elle se frotte aux murs \u00e0 la recherche de quelque chose. Son corps prend l\u2019espace, glisse sur les surfaces verticales. La danseuse est alors prise d\u2019un hal\u00e8tement qui ne la l\u00e2che plus. Le corps devient sonore. Il se tire et s\u2019\u00e9tire dans tous les sens. T\u00eate en bas, t\u00eate en l\u2019air, entre les jambes, contre les murs, sur le sol, les tensions sont au maximum. L\u2019hal\u00e8tement de la danseuse dispara\u00eet et laisse alors place \u00e0 celui du danseur, David Wampach lui-m\u00eame. La rencontre entre les deux personnages ne tarde pas \u00e0 se faire.\u00a0<\/span><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">Corps sonores, les respirations envahissent l\u2019espace.\u00a0<\/span><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">L\u2019hyperventilation des danseurs les conduit loin dans la travers\u00e9e des \u00e9motions contenues puis expuls\u00e9es.<\/span><\/p><p>L\u2019intime est crach\u00e9, projet\u00e9 vers l\u2019ext\u00e9rieur. Si tension physique il y a, celle-ci est tr\u00e8s vite expi\u00e9e par ce r\u00e2le permanent. Le corps tendu se transforme en corps extase. La r\u00e9p\u00e9tition de l\u2019hal\u00e8tement conduit les corps des danseurs \u00e0 des d\u00e9charges extr\u00eames. Les visages sont autant de tensions que d\u2019expressions.\u00a0<span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">Les corps s\u2019assemblent comme une grammaire dont eux seuls connaissent les bienfaits, \u00e0 la mani\u00e8re des positions du Kama Sutra. Ces corps qui ne semblent au d\u00e9part de par leurs costumes que si peu sexu\u00e9s, entrent dans une m\u00e9canique de l\u2019embo\u00eetement corps d\u2019homme, corps de femme, les possibles s\u2019\u00e9prouvent.\u00a0<\/span><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">L\u2019enivrement pouss\u00e9 \u00e0 son paroxysme provoque des \u00e9tats d\u2019extase et de jubilation qui rendent le duo \u00e0 la fois d\u00e9lirant et pr\u00e9occupant.\u00a0<\/span><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">Ce n\u2019est en effet pas sans humour que David Wampach, apporte sa lecture de cette pi\u00e8ce de 1913. Focalis\u00e9 sur le rite, l\u2019extase et le rythme qui va crescendo, le <\/span><em style=\"font-weight: inherit; background-color: var(--ast-global-color-5);\">Sacre<\/em><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\"> se d\u00e9gage de l\u2019imaginaire habituel qui lui est li\u00e9, tout en en gardant l\u2019essence originelle.<\/span><\/p><p><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">La pomme d\u2019amour verte et carr\u00e9e met fin \u00e0 un certain aveuglement et s\u2019en d\u00e9lecter conduit petit \u00e0 petit au sacrifice, non pas d\u2019un \u00eatre mais d\u2019une figure phallique, un haut rectangle de bois noir, qui pourrait \u00eatre un arbre, un totem. C\u2019est en tout cas son sacrifice qui permettra \u00e0 quelque chose de nouveau de na\u00eetre. A la suite d\u2019une danse l\u00e9g\u00e8re et festive autour du totem, vient le temps de la mise \u00e0 mort. D\u00e9pouill\u00e9 de sa tenue mais muni d\u2019une brillante \u00e9p\u00e9e, l\u2019homme accompagn\u00e9 de la femme, v\u00eatue elle d\u2019une robe venue tout droit du moyen \u00e2ge (p\u00e9riode \u00e0 laquelle tient beaucoup le chor\u00e9graphe pour sa production artistique), tranche.\u00a0<\/span><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">Sans plus de fioriture, c\u2019est la fin. Noir complet. La derni\u00e8re note faisant r\u00e9f\u00e9rence \u00e0 la musique de Stravinsky se fait entendre comme un dernier souffle laissant place au prochain, \u00e0 l\u2019inconnu.<\/span><\/p><p><em>Sacre <\/em>est une pi\u00e8ce d\u2019une \u00e9touffante jouissance. A la fois aga\u00e7ante par ces souffles qui mettent mal \u00e0 l\u2019aise, au bord de l\u2019asphyxie on croit parfois mourir, elle donne un go\u00fbt \u00e0 l\u2019ivresse et \u00e0 l\u2019extase tellement singulier, de l\u2019ordre du je(u)-jouissance, qu\u2019on aurait tort de s\u2019en passer.<\/p><p>\u00a0<\/p><p><strong>Fanny Brancourt<\/strong>, Centre Pompidou Paris (Janvier 2014)<\/p><p>\u00a0<\/p><p>\u00a9<strong>Valerie Archeno<\/strong><\/p><p>\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Rituel haletant Cr\u00e9\u00e9e en 2011, Sacre est une version tr\u00e8s personnelle du Sacre du Printemps d\u2019Igor Stravinsky. L\u00e0 o\u00f9, de nombreux chor\u00e9graphes comme Sasha Waltz, Pina Pausch, Maurice B\u00e9jart, Heddy Maalem\u2026 relisaient cette pi\u00e8ce ma\u00eetresse tout en proposant une distribution cons\u00e9quente, David Wampach s\u2019attache lui au couple originel. Il semblerait pour ce dernier, qu\u2019un homme &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/umoove.art\/index.php\/2022\/12\/08\/sacre-david-wampach\/\"> <span class=\"screen-reader-text\">Sacre &#8211; David Wampach<\/span> Lire la suite\u00a0\u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","footnotes":""},"categories":[8],"tags":[],"class_list":["post-1704","post","type-post","status-publish","format-standard","hentry","category-critique-critique"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"Rituel haletant Cr\u00e9\u00e9e en 2011, Sacre est une version tr\u00e8s personnelle du Sacre du Printemps d\u2019Igor Stravinsky. 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