{"id":2552,"date":"2022-12-13T09:05:07","date_gmt":"2022-12-13T08:05:07","guid":{"rendered":"http:\/\/umoove.art\/?p=2552"},"modified":"2023-01-05T15:02:19","modified_gmt":"2023-01-05T14:02:19","slug":"nass-fouad-boussouf","status":"publish","type":"post","link":"http:\/\/umoove.art\/index.php\/2022\/12\/13\/nass-fouad-boussouf\/","title":{"rendered":"N\u00e4ss &#8211; Fouad Boussouf"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"2552\" class=\"elementor elementor-2552\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-de0b6ce elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"de0b6ce\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0ab1187\" data-id=\"0ab1187\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e7b8d73 elementor-widget elementor-widget-image\" data-id=\"e7b8d73\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.14.0 - 26-06-2023 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"768\" src=\"http:\/\/umoove.art\/wp-content\/uploads\/2023\/01\/Peter-Nkoghe-22-1-768x768.jpg\" class=\"attachment-medium_large size-medium_large wp-image-3901\" alt=\"\" srcset=\"http:\/\/umoove.art\/wp-content\/uploads\/2023\/01\/Peter-Nkoghe-22-1-768x768.jpg 768w, http:\/\/umoove.art\/wp-content\/uploads\/2023\/01\/Peter-Nkoghe-22-1-300x300.jpg 300w, http:\/\/umoove.art\/wp-content\/uploads\/2023\/01\/Peter-Nkoghe-22-1-1024x1024.jpg 1024w, http:\/\/umoove.art\/wp-content\/uploads\/2023\/01\/Peter-Nkoghe-22-1-150x150.jpg 150w, http:\/\/umoove.art\/wp-content\/uploads\/2023\/01\/Peter-Nkoghe-22-1.jpg 1080w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a26da81 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a26da81\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-96f98ca\" data-id=\"96f98ca\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f458038 elementor-widget elementor-widget-heading\" data-id=\"f458038\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.14.0 - 26-06-2023 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h2 class=\"elementor-heading-title elementor-size-default\">Rythmes envoutants pour \u00e2mes aimantes<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e5765ef elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e5765ef\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-91c7bb0\" data-id=\"91c7bb0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-646275b elementor-widget elementor-widget-text-editor\" data-id=\"646275b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.14.0 - 26-06-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<h4><strong>Sept hommes, au lointain, dos au public font face \u00e0 un immense mur bleu gris.<\/strong> <strong>Sorte de refuge, ils y reviendront r\u00e9guli\u00e8rement tout au long de la pi\u00e8ce. <\/strong><\/h4><p>Les danseurs rev\u00eatent un blouson, un manteau, une veste, ils s\u2019appr\u00eatent. Avec leur seconde peau, ils semblent pr\u00eats \u00e0 explorer le rythme dans une \u00e9nergie collective puissante.\u00a0<em style=\"font-weight: inherit; background-color: var(--ast-global-color-5);\">N\u00e4ss (les gens)<\/em><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">, la derni\u00e8re cr\u00e9ation de Fouad Boussouf, puise son \u00e9criture dans les danses et rythmes traditionnels marocains tout en s\u2019interrogeant sur ceux li\u00e9s aux cultures urbaines. Dialogues entres les corps et les musiques, entre mysticisme de la tradition Gnawa et syncr\u00e9tisme de la danse hip-hop. Tout est affaire d\u2019\u00e9changes, de ponts tiss\u00e9s entre le panel color\u00e9 d\u2019une culture et celui d\u2019une autre. Fouad Boussouf n\u2019oppose pas tradition et modernit\u00e9, mais s\u2019inspire de ce que chacune apporte artistiquement \u00e0 cette qu\u00eate de souffle rythmique collectif.\u00a0<\/span><em style=\"font-weight: inherit; background-color: var(--ast-global-color-5);\">N\u00e4ss <\/em><span style=\"font-style: inherit; font-weight: inherit; background-color: var(--ast-global-color-5);\">signifie \u00ab\u00a0les gens\u00a0\u00bb en arabe et fait r\u00e9f\u00e9rence au c\u00e9l\u00e8bre groupe Nass el Ghiwane (Les gens boh\u00e8mes) qui a fait connaitre la culture Gnawa dans les ann\u00e9es 70 avec le mouvement hippie. Si Fouad Boussouf s\u2019inspire de l\u2019histoire et de la musique de ce groupe c\u2019est avant tout pour la proximit\u00e9 des textes po\u00e9tiques, anticonformistes et engag\u00e9s, avec ceux du rap et la culture hip-hop de cette m\u00eame \u00e9poque aux Etats-Unis.<\/span><\/p><p>C\u2019est donc entour\u00e9s de sept jeunes danseurs explosifs aux personnalit\u00e9s singuli\u00e8res, que Fouad Boussouf, \u00e0 cr\u00e9er ce corps-choeur qui \u00e9volue dans un espace rythmique et sonore incroyablement exaltant. Chacun des danseurs participe \u00e0 cette \u00e9nergie collective, donne de la voix aux corps qui exultent et vibrent sans cesse. Que ce soit dans un mouvement de t\u00eate, dans un saut, une marche, les corps expriment une revendication \u00e0 \u00eatre ensemble et \u00e0 d\u00e9ployer l\u2019univers du collectif qui n\u2019est autre que la somme d\u2019individualit\u00e9s uniques. Elias Ardoin, Sami Blond, Mathieu Bord, Maxime Cosic, Lo\u00efc Elice, Justin Gouin, Nicolas Grosclaude cr\u00e9ent une homog\u00e9n\u00e9it\u00e9, un groupe fort et soud\u00e9, quand bien m\u00eame la confrontation r\u00e9sonne dans les corps et l\u2019espace. Ils sont les uns avec les autres, pr\u00eats \u00e0 traverser joies et douleurs. Et il semble bien, que \u00e7a n\u2019est que parce que joies et douleurs sont partag\u00e9s qu\u2019ils font sens. Cette jouissance est tr\u00e8s perceptible tout au long de la pi\u00e8ce et elle nous porte, \u00e0 l\u2019image de la belle cr\u00e9ation musicale de Roman Bestion. Marcheurs insatiables, acrobates inventifs, les sept danseurs sans jamais quitter le plateau, composent une partition \u00e9clatante. Entre chass\u00e9s-crois\u00e9s sautillants, pi\u00e9tinements inlassables, regroupements jaillissants, marches bondissantes, au sol comme en l\u2019air ils d\u00e9placent des montagnes.<\/p><p>Le spectacle de Fouad Boussouf est \u00e0 prendre comme un souffle aux rythmiques color\u00e9es par ses racines tribales africaines (notamment les danses et musiques traditionnelles d\u2019Afrique du Nord) et sa culture hip-hop. Il parait \u00e9vident que les migrations des unes vers les autres ne cessent d\u2019enrichir l\u2019imaginaire du chor\u00e9graphe. La porosit\u00e9 entre les cultures est ind\u00e9fectible et nourrit chacun dans son cheminement.<\/p><p><em>N\u00e4ss (les gens)<\/em>, est une cr\u00e9ation bas\u00e9e sur une \u00e9nergie propre aux rythmes insuffl\u00e9s dans la partition musicale. Et c\u2019est bien ce souffle commun qui meut les danseurs et les transporte d\u2019un espace \u00e0 l\u2019autre, d\u2019un \u00e9tat de corps \u00e0 un autre. La vibration se fait ressentir tout au long de la pi\u00e8ce, par les divers rythmes toujours puissants imprim\u00e9s dans les corps des danseurs. Et puis, parfois \u00e9mergent des moments de suspension qui redonnent encore plus de force \u00e0 la trame rythmique du spectacle. Il ne s\u2019agit pas de quelque chose d\u2019ext\u00e9rieur aux danseurs mais bien d\u2019un autre type de vibration qui les traverse. Tee-shirts \u00e0 moiti\u00e9 relev\u00e9s, les danseurs en ligne cherchent de leurs mains le tee-shirt du voisin, pour ne le l\u00e2cher que tardivement. S\u2019ensuit un \u00e9tirement collectif et une cha\u00eene de corps aux visages cach\u00e9s. Les jambes s\u2019enracinent alors un peu plus les bras et bustes se d\u00e9ploient. L\u2019espace de la fraternit\u00e9 semble vaste \u00e0 la vue de cette cha\u00eene humaine. Pas besoin de voir l\u00e0 o\u00f9 l\u2019on va. Etre au plus pr\u00e8s ce qui nous ancre, faire de chacune des vibrations et tensions ressenties un moyen d\u2019acc\u00e9der \u00e0 l\u2019autre et \u00e0 l\u2019espace qui l\u2019entoure suffit \u00e0 leur rendre la vue. Telles sont les perceptions qui se d\u00e9gagent de cette cha\u00eene dansante. Arriv\u00e9e \u00e0 son paroxysme et une tension maximale, les visages apparaissent \u00e0 nouveau se d\u00e9gageant des tee-shirts qui les entravaient. Les liens et les corps se resserrent, \u00e0 nouveau charg\u00e9s ils repartent explorer d\u2019autres cieux.<\/p><p><em>N\u00e4ss (les gens)<\/em>, est un pur moment de danse o\u00f9 le souffle commun des interpr\u00e8tes (bien qu\u2019issus de disciplines parfois diff\u00e9rentes) exalte le spectateur. La capacit\u00e9 de Fouad Boussouf a \u00e9crire ce lien permanent entre racines tribales, racines africaines et hip-hop, invite le spectateur \u00e0 entrer dans la danse sans pr\u00e9alable. Cette danse, depuis 2006 date de cr\u00e9ation de la compagnie Marssala, est \u00e9nerg\u00e9tique et fait r\u00e9sonner longtemps chez la plupart d\u2019entre nous le go\u00fbt du rythme et de l\u2019\u00eatre ensemble.<\/p><p><strong>Fanny Brancourt <\/strong><\/p><p>\u00a9<strong>Charlotte Audureau<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Rythmes envoutants pour \u00e2mes aimantes Sept hommes, au lointain, dos au public font face \u00e0 un immense mur bleu gris. Sorte de refuge, ils y reviendront r\u00e9guli\u00e8rement tout au long de la pi\u00e8ce. Les danseurs rev\u00eatent un blouson, un manteau, une veste, ils s\u2019appr\u00eatent. Avec leur seconde peau, ils semblent pr\u00eats \u00e0 explorer le rythme &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"http:\/\/umoove.art\/index.php\/2022\/12\/13\/nass-fouad-boussouf\/\"> <span class=\"screen-reader-text\">N\u00e4ss &#8211; Fouad Boussouf<\/span> Lire la suite\u00a0\u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","footnotes":""},"categories":[8],"tags":[],"class_list":["post-2552","post","type-post","status-publish","format-standard","hentry","category-critique-critique"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.8 - aioseo.com -->\n\t<meta name=\"description\" content=\"Rythmes envoutants pour \u00e2mes aimantes Sept hommes, au lointain, dos au public font face \u00e0 un immense mur bleu gris. 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